Weekly Update — 21 November 2011

November 21st, 2011

It was a busy weekend between family starting to arrive for the holiday and my wife’s concerts. One of the last things on the list was writing a blog post. But among the first on the list was to get some practice time in. Along with that (yay!) here are some of the things I did accomplish during the week:

  • edited together scraps of our rehearsal on the thirteenth, so we get some sense of how things are sounding
  • began looking into how best to use Google adwords
  • exchanged e-mails with Mike Wittgraf, composer of “Autogeneous Mining,” discussing some questions about the notes and such
  • continued to track down people’s schedules to arrange a February 3 performance.

There will be plenty of distraction this week, but I’m going to:

  • arrange some additional “less than all of us” rehearsal time (there’s work to do! and not enough times when all four of us are available!)
  • work on a podcast about this experience with my friend Wilson Hogan
  • get planning on a printed announcement that I can hand out to strangers on the el.

I did hear from one of the bassists on the “Bass Playing Professionals” LinkedIn group who has expressed interest in being part of “the hive.” That’s a good thing! Even if it starts small I think it’s a great idea.

I look forward to your comments!

Weekly Update–13 November 2011

November 12th, 2011

Here’s a very quick recap of what’s gotten done this week:

  • Following my own advice and that of Jonathan Fields, I have reached out to the LinkedIn group “Bass Playing Professionals” to invite its members to be part of my creative hive.
  • I have the texts for the de Victoria motets that we’re working on.
  • I’ve sent everyone the score for Mike Wittgraf’s piece (for the February 5 concert). We’ll look it over tomorrow morning in our rehearsal.
  • I’ve started researching how to use Google AdWords.
Next steps:
  • Get a good rehearsal under our belts tomorrow, November 13.
  • Talk to my friend and colleague Bonnie Gibbons about using AdWords.
  • Confirm whether or not we’ll be able to premiere “Autogeneous Mining” on February 3 at Experimental Sound Studio.
That’s all for now . . . a busy weekend here!

 

It’s Not an Audience, It’s a Beehive

November 11th, 2011

I mentioned in a previous post that I’ve been reading Jonathan Fields’ book “Uncertainty” and taking some learnings from it. One of the tools he recommends for overcoming the fear that comes from facing uncertainty is the “creation hive,” a group of interested individuals who can give you interim feedback on your projects, goals and methods. (Marty Cagan of Silicon Valley Product Group has a similar concept.)

I realize that this blog, my twitter activity and the occasional e-mail I send to the CBE mailing list are all efforts on my part to build a kind of feedback hive for my musical efforts. It’s why I long for comments on this blog. It’s why I’m excited to see something of mine retweeted, and it’s why I mostly limit my tweets to musical topics.

So I admit that I had hopes, when I sent my last e-mail, of picking up a few new subscribers to the mailing list, a twitter follower or two and getting someone to make a comment on any one of these blog posts.

After sending the e-mail, the first response from the world was the usual couple of unsubscribes. That’s natural, someone realizes they are ON a mailing list and decide they want off. Okay, no problem. Beyond that? Nothing.

No e-mails forwarded. No comments. Maybe one new twitter follower. But not even the usual handful of “hello, great to hear what you’re up to” responses from geographically distant friends. Net-net, I think the result of this “campaign” was negative growth.

It’s somewhat disheartening. But it’s not time to give up. It is time to realize that this isn’t easy, and that’s okay. The reward of building a hive will make he hard work worthwhile.

My next steps:

  • Try buying some ad traffic (Google occasionally offers some credit to try out Adwords. With concerts coming up, I do have something to promote, so why not try it?)
  • Do some more commenting on other blogs, where appropriate, with polite links back to my blog.
  • Reach out on online forums–for instance the professional bass players group on LinkedIn–to solicit hive-like input and feedback.

Stay tuned (and comment, won’t you?) to see how it turns out!

Weekly Recap–6 November

November 6th, 2011

Another week has come to a close (or is it a beginning?) and I will take just a few moments to recap what I have done this week.

  • I’m happy to report that we had a good rehearsal this morning! Spent time on Armand Russell’s Ultra-Rondo, three motets by da Victoria, and Simón García’s A Night in Compostela.
  • Got an e-mail out to the mailing list*, promoting the January and February concerts, this blog and my twitter handle.
  • Came across an interesting post from Allegra Montanari on concert dress and presentation at Chicago Classical Music. I added my thoughts, and will probably post more on the subject myself.
  • I’ve updated my personal running list of repertoire for the concerts. Not complete yet, but working toward it.
  • I’ve also exchanged e-mails with Experimental Sound Studio about scheduling a performance for Autogeneous Mining.
  • Got samples of our work up on SoundCloud, providing a way for everyone to hear our demo without my having to send CDs in the mail.

If you compare this to last week’s list, I think I’ve done okay. There is still plenty of detail work to do, but I am on track and making progress. What’s to do next?

  • Analysis of the da Victoria Motets–how will we make these really sound good?
  • Continue to work on the “added” performance: check schedules etc.
  • Start some work on printed advertisements for the performances. I’m pretty confident at this point that e-mail and twitter alone are not enough!

* If you’re not on our mailing list, please sign up here.

Designing the Concert Experience, part 1

November 1st, 2011

I want to craft a good experience for those who come to performances of the Chicago Bass Ensemble. This post will mark the beginning of my discussing the idea of designing a concert. First some random thoughts. (I’m tapping this out on an iPhone, at least initially, so I may be somewhat inelegant.)
Understanding the audience
Let’s agree that this seems obvious. If you want people to enjoy what you do, do what they enjoy.
Is that selling out? Only if you end up doing something that you don’t enjoy. if that’s the case, consider not playing for this audience.
Pacing
Can a concert maintain the same emotional, physical, dynamic level from beginning to end? If you can, is that desirable?
The Peak-End Effect
I think I’ve got the right name for this psychological effect: that people remember the highest point of an experience and it’s outcome or end. (They may remember the trough, rather than the peak, if the lowest point is lower than the peak is high.) So send ’em home whistling!

There are of course others: timing meaning duration, contrast which is related to pace, direction meaning the overall emotive vector of he program, and I’m sure there are more.

For the moment, understanding the audience provides me with a project: get a fuller understanding of the (likely) audiences for our performances in January and February. Two actions present themselves:

  • speak directly with the presenters
  • look closely at who else is programmed for the series and for the festival.

By taking these two actions, I can help myself settle my programming decisions.

Weekly Recap–30 October

October 30th, 2011

Let’s have a look at what came off the to-do list from last week.

  • I’ve now got a set of rehearsals scheduled. Not enough rehearsals, of course, since it’s really hard to coordinate the schedules of four freelance musicians. But something to start from.
  • Um, okay, well that’s it for major accomplishments. But it’s a big and important one!
For the coming week:
  • Get at least a rough set list in place for both January 15 and February 5 performances.
  • Work on scheduling another performance sometime between January 31 and February 7 — Mike Wittgraf will be in town, and it would be fulfilling to play his piece, “Autogeneous Mining,” a second time while he’s here.
  • Get out an announcement to the mailing list, to build enthusiasm. This has to happen!!

I’ve been reading a book called “Uncertainty – Turning Fear and Doubt into Fuel for Brilliance” by Jonathan Fields. There are a couple of points that have stuck with me so far.

One way to mitigate the stress of taking on projects with uncertain outcomes is to have regular, stabilizing routines. These routines help to calm the mind and maintain order of some sort when the things around you seem highly disordered. I expect that most musicians will recognize their practice routine as something which brings order to their days. I know that I feel better when I have had regular time to practice. Fields calls these “uncertainty anchors.”

In addition to having mentors, whose role is probably pretty well-known to musicians and businesspeople alike, Fields asks you to find heroes and champions as well. Where a mentor is someone who is available to you to provide guidance, advice and encouragement on a personal level, a hero is someone who has all the successes and qualities that you would pick in a mentor, but who is not available to you personally. In spite of not being able to engage directly and immediately with your hero, you can draw a lot of strength and wisdom from observing and following them and their path.

A champion is someone who believes in you and is there to help you, even provide for you, no matter what happens. Fields cites his own wife as his champion (and himself as hers, neatly reciprocal). He describes his own decision to leave a job that he disliked in order to follow a career that called to him, even in the days immediately following the September 11 World Trade Center bombings, which threw so much into chaos and uncertainty. His wife championed his cause, offering him unconditional support, because she believed in what he was doing. Such is the power of a champion.

There are hints of some other important support structures for uncertain ventures. I won’t summarize them right now, because they’re not yet firmly in my head, and I’m not going to just re-key them here. I’ll write about them next week, perhaps. I will say that among them is something like tribal leadership, a subject of some interest to me. What better form of leadership for an entity like a chamber music group? Related: for those in the area, check out Si Alhir’s seminar on Agility and Tribal Leadership this week. Having worked closely with Si during his engagement at Cars.com, I believe this will be a valuable seminar.

Perhaps in future posts on this blog, I will be able to tell you something about the mentors, heroes and champions I choose to follow.

Weekly Recap-October 22

October 22nd, 2011

Having discovered a short while ago that I can post to this blog from my iPhone, I’m taking advantage of the opportunity to blog while I wait for someone to come jump start my car. Why oh why do I still have this car?
No matter. I’m making the best use of this time as I can, even if I’m not practicing.
This week:
– talked with Mike Wittgraf and got some details about his piece and the equipment we’ll need to perform it.
– continued to try to work out a regular rehearsal schedule…tougher than I anticipated!
Next week:
– continue to draft the final program & order (not done this week as I promised).
– schedule and get commitment for rehearsals.
– send a message to the mailing list–to build awareness and excitement.
As always, your copious outpouring of comments, advice, suggestions and encouragement is much appreciated
Srsly, do say hello in the comments. It would be fun to hear from you.

LPO Angry Birds: A Rant

October 18th, 2011

News reached me yesterday that the London Philharmonic is releasing or has released an album of themes from video games.

My first reaction (I heard this piece on NPR) was mild shockmusement. To coin a word. Because I’m not really against the idea of “classical” orchestras playing popular music. And the London Philharmonic has a history or tradition of doing commercial work, having recorded a number of soundtracks for movies, backing rock bands and such, so an album of video game music is not so far afield for them.

I’ve also played any number of pops concerts myself, with regional orchestras here in Illinois, including a concert made up entirely of music from the Final Fantasy video game series. And I’m warm to the idea of contemporary music bringing in audiences who wouldn’t otherwise visit the “concert hall.” I remember the standing ovation given to the Final Fantasy composer (who was present in Rosemont, IL that evening) . . . when he arrived to take his seat BEFORE the performance.

But I have to say that hearing the Angry Birds theme being played by a full orchestra . . . well, when I heard some clips online, I just thought “that is really stupid.” Don’t get me wrong. I waste many a pleasurable hour at Angry Birds–I’m trying to get three stars on EVERY level. And the music is catchy and cute (although I stopped listening to the sounds and music on the game months and months ago). It’s even worth a tongue-in-cheek cover But the theme doesn’t scale well to orchestral proportions.

What I’ve heard of it, admittedly precious little, just the first few results you’ll get if you google for it, sounds terrible. The worst of orchestra meets pop music. It’s a tune (not so much a composition) for an oompah band. It doesn’t work for strings.

*sigh* Am I over-reacting?

I came across a quote in an acceptance speech made by David Harrington of the Kronos Quartet. He said this in accepting the Polar prize in September 2011: “…our goals have been simple: find the most wonderful music and play it as well as possible.”

That to me is one of the best ways to sum up what I want to do with the Chicago Bass Ensemble. All due respect to Ari Pulkkinen, but we will not be performing his piece, nor any of the cute, but trivializing pieces that the double bass gets saddled with. I want to perform music that helps people transcend the ordinary in their lives and inspire them. For me, the theme from Angry Birds doesn’t fit that definition.

</rant>

Weekly Recap – 15 October

October 15th, 2011

I promised a new blog post, and seeing how many of you are clamoring for more news, how could I disappoint you?!

From the list of things to do that I published last week:

  • I talked with Wilson and we will schedule a meeting when we see each other Monday for Who Needs Dave rehearsal. Pretty Good.
  • Not so well-done, I haven’t booked a fourth player. But I did get an e-mail sent (his voice mail inbox was full and not accepting messages). Bad.
  • Also not done, I didn’t get music from Wittgraf. Bad.
  • I have written a follow-up post. You’re reading it. Good.
One thing I got done that wasn’t on the list: publish an announcement of Chicago Classical Music for the January 15 performance. Good!
So, by this time next week:
  • Get a fourth player.
  • Get music from Mike Wittgraf.
  • Also from Wittgraf, a detailed list of what equipment will be needed here for February 5.
  • Publish another blog post detailing the exciting life of someone trying to organize a bass ensemble.
  • Do more thinking about the programs for January and February. Goal: have half of each “confirmed” in my mind.
Okay, so there really aren’t that many of you commenting on these blog posts. But the threat in my mind that someone might be is enough to motivate at least some action. How’s that for a leadership strategy?

A Post from iOS 5

October 15th, 2011

Having just upgraded my iPhone (believe it or not, I got an iPhone 4S on the first day they were available), I’m writing a test post using the WordPress iPhone app. This app had been crashing on my old iPhone. If you’re reading this, then we know that it runs okay under the news OS!